Master
Mentors Make Master Drummers
In 1951, I was 15 years old and working as a server
at the Holy Trinity Church in Ghana. I left school because
it wasn’t working for me. Besides, there was
no advanced education in Ghana. The British taught
us how to learn quickly and then work for them. But
I had other plans. I was influenced by music. I
used to climb walls and listen to music. I would tell
my friends, “Some day, I will be on the stage playing.” I
loved music and everybody knew it!
So I
started looking for someone to mentor me. My father was my first music mentor
when I was young. He was a medicine man by trade
but he also taught me to play the drum. The most
important part of what he taught me was how to watch and
listen. This is how African children learn to play,
learn to absorb things quickly, and learn respect. But
at 15, I needed someone to introduce me to the world of
music. Being the stubborn teen that I was,
I didn’t stick with my first mentor for long. Though
he was a good musician and teacher, I didn’t like
his style when it came to the “business” of
music. Then I found Joe Kelly Odamptan. He was a
mentor to a lot of us young, want-to-be-musicians. Through
him our ears were trained to hear…all music, good
music like classical, mambo, and swing. In Africa,
music was not like in the States. We did not have
Black music at first. We only had French. I longed
to hear that rhythmic American music. Joe Kelly made
sure I got it. Not only did he teach me about Black
music, he taught me about Black American movies as well. Stormy
Weather was my first. It opened my eyes to
a whole new world as an African. While African Americans
were being kept from knowing about us, we were also being
kept from knowing them. Joe made sure those barriers
were removed. “You can play any music,” he
would say.
When
we are young, we do not understand the power and influence
mentors have on our adult lives. I understood it, even when I was being
obstinate. Most teens get that way at some point,
but I didn’t let it stop me from reaching my goals. Joe
Kelly, my father, and other mentors were the key. They
helped me to sustain my music career. Some of the
other young musicians who played with me did not stay with
it. They did not value what we learned such as loving
all music, memorizing things so you don’t forget
them, and keeping good things in your mind. In African
culture, we learn how to put things into proverbs. When
we do, we don’t forget it. It’s like
putting words into song, and young people have no problem
with memorizing the words of a good song.
Over
the years I have mentored musicians and dancers all over
the world. When you
receive what I did from my mentors as a teen, it’s
only natural that you pay it back to others. The
proverb is true: it does take a village to raise a child.

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